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Naima Sood

When Manoj Kumar filed lawsuit against Shah Rukh Khan over 'Om Shanti Om' scene

When Manoj Kumar filed lawsuit against Shah Rukh Khan over 'Om Shanti Om' scene
Legendary actor-director Manoj Kumar had famously filed a defamation case against Shah Rukh Khan and Farah Khan for parodying him in "Om Shanti Om". Kumar had later withdrawn the case.
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In Om Shanti Om, a character parodying Manoj Kumar is shooed away by guards.
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In Om Shanti Om, a character parodying Manoj Kumar is shooed away by guards.

Manoj Kumar, the patriotic and romantic hero of many movies from the 1960s and 70s, had famously filed a defamation case against superstar Shah Rukh Khan and Farah Khan for parodying him in "Om Shanti Om".Kumar, who died on Tuesday due to age-related issues, was upset with a scene in the Farah Khan-directed movie, which featured cameos by many industry stalwarts, including Amitabh Bachchan and Dharmendra.

Om Shanti Om's Controversial Scene

The scene sees Shah Rukh's character Om imitating Kumar's famous palm across face gesture to gain an entry to the premiere of a film featuring Shanti Priya, played by Deepika Padukone. In the film, when the real Manoj Kumar turns up for the premiere, he is shooed away by the guards.

Manoj Kumar's Displeasure

Kumar had expressed his displeasure over the scene and requested the makers to remove the scene from the film. He went to a civil court, which ordered the makers to remove the objectionable scenes before the satellite screening.

SRK's Apology

Shah Rukh had personally apologised to the cinema veteran and the scene was chopped from the movie. But the matter didn't end there. The scene resurfaced in a print of the film when it released in Japan six years later, prompting Kumar to file a lawsuit against Shah Rukh Khan and production banner Eros International in April 2013.

The Japan Controversy

The film was released in Japan without deleting those scenes. I had forgiven them twice but not this time. They have disrespected me. They also face contempt of court as in 2008 the court had asked them to forever and from all prints and broadcast material, delete those scenes, Manoj Kumar had told PTI. "I don't have any personal clash with Shah Rukh Khan. He is a nice person, but when it comes to my self-respect, then I can't compromise on it," he had said.

Withdrawal Of Case Against SRK

Shah Rukh had commented on the matter, saying, "I don't know much about it... Very honestly I had personally apologised to him then. My respect goes to all actors who are older and younger to me. Distributors have made a genuine mistake... old print was sent (to Japan). He (Kumar) has done a legal thing. He is welcome to do that. I don't take it personally." Kumar later withdrew the case.

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Entertainment | Bollywood
Samapti

Bollywood's cinematic villains: The faces of fear who have left behind their legacies

Bollywood's cinematic villains: The faces of fear who have left behind their legacies
Villains in Bollywood are more than just adversaries; they are the catalysts that drive the story forward. Their dialogues, mannerisms, and impact on the plot make them as significant as the protagonists.
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In the dazzling world of Bollywood, where heroes reign supreme and love conquers all, the villains stand as the formidable forces of darkness. These antagonists not only challenge the protagonists but also carve an indelible mark on Indian cinema with their charisma, wickedness, and unforgettable dialogues.

From the spine-chilling laughter of 'Gabbar Singh' to the cunning schemes of modern-day anti-heroes, Bollywood’s villains have left an enduring legacy.

The Classic Villains

Bollywood’s golden era introduced villains who became as famous as the heroes themselves. Among the most iconic is Gabbar Singh from ‘Sholay’ (1975), portrayed by Amjad Khan. With his menacing laugh and iconic dialogue, “Kitne aadmi the?’, Gabbar became the embodiment of terror. His portrayal was so gripping that he transformed from a mere antagonist to a cultural phenomenon.

Another unforgettable name is Mogambo from ‘Mr. India’ (1987). Amrish Puri’s larger-than-life performance and the iconic line, Mogambo khush hua,” made him a villain audiences loved to fear. Mogambo’s flamboyance and eccentricity set the standard for a Bollywood antagonist who could steal the spotlight from the hero.

In the same league was Shakaal from ‘Shaan’ (1980), played by Kulbhushan Kharbanda. With his bald head, suave demeanor, and chilling personality, Shakaal brought sophistication to villainy. These villains weren’t just evil; they were characters etched in cinematic history.

The Era of Complex Villains

As Bollywood evolved, so did its portrayal of antagonists. The villains of the 1990s and early 2000s were less cartoonish and more grounded in reality.

Take Thakur Durjan Singh from ‘Karan Arjun’ (1995), another masterful portrayal by Amrish Puri. His ruthless and conniving character was a reflection of deep-seated evil, making him a memorable figure in the genre.

In contrast, actors like Ashutosh Rana brought psychological terror to the forefront. His performance in ‘Dushman’ (1998) as a sadistic serial killer was spine-chilling, marking a departure from the archetypal villain to one that felt disturbingly real.

Modern Villains

The contemporary era of Bollywood has embraced villains who are more nuanced and layered. Ranveer Singh’s Alauddin Khilji in ‘Padmaavat’ (2018) was a perfect example of a modern antagonist. Driven by ambition and obsession, Khilji was a character who was unapologetically evil yet deeply human, blurring the lines between hero and villain.

Similarly, Nawazuddin Siddiqui’s Ganesh Gaitonde in ‘Sacred Games’ brought a new dimension to antagonists. Gaitonde was a character shaped by his environment and experiences, a man both feared and pitied. His morally ambiguous portrayal reflected the shifting landscape of storytelling, where villains are not just obstacles but integral to the narrative.

The Enduring Legacy

Villains in Bollywood are more than just adversaries; they are the catalysts that drive the story forward. Their dialogues, mannerisms, and impact on the plot make them as significant as the protagonists. They’ve evolved from being black-and-white caricatures to complex, layered characters that resonate with audiences.

While the faces of Bollywood villains continue to change, their importance remains unwavering. As cinema progresses, we look forward to new names and faces who will redefine the legacy of fear and fascination. After all, a hero is only as good as their villain.

Image Credits:

Narsimha Enterprises

United Producers Sippy Films

Ramesh Sippy and GP Sippy

Film Kraft

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Entertainment | Bollywood
Samapti

8 Times Bollywood hit replay on some of its cult classics!

8 Times Bollywood hit replay on some of its cult classics!
Filmmakers have been revisiting Bollywood classics over the years with twists and turns, newer age casts and bigger budget. But do the Box Office numbers do them the justice they deserve? Let's take a look.
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In recent years, Bollywood has leaned heavily into the trend of reboots, remakes, and reimaginations. While the industry has long been inspired by regional cinema and global storytelling, the modern era has seen a renewed focus on revisiting its classics. This phenomenon raises an important question: Is Bollywood truly honouring the legacy of its iconic films, or is it simply capitalizing on nostalgia?

The Rise of Reboots

Reboots are not new to Bollywood. From ‘Don’ (2006) to ‘Agneepath’ (2012), filmmakers have been recreating cult classics to align with contemporary sensibilities. However, the trend has gained significant momentum in the last decade. Films like ‘Coolie No. 1’ (2020), ‘Pati Patni Aur Who’ (2019), and ‘Himmatwala’ (2013) have highlighted Bollywood's fascination with breathing new life into old scripts.

These projects often walk a fine line between homage and reinvention. While some reboots successfully update the narrative to reflect evolving societal values, others struggle to live up to the charm of the originals, leaving audiences disappointed.

Striking the Balance Between Nostalgia and Modernity

The key to a successful reboot lies in maintaining the essence of the original while adapting it for a new generation. For instance, Farhan Akhtar’s ‘Don’, starring Shah Rukh Khan, was a runaway success because it retained the intrigue and swagger of the 1978 classic while introducing a fresh, modern twist.

Similarly, ‘Agneepath’, starring Hrithik Roshan, was praised for its intense storytelling and emotional depth, which resonated with contemporary audiences.

On the other hand, reboots like ‘Coolie No. 1’ and ‘Himmatwala’ failed to capture the magic of the originals. Critics often point out that such remakes focus more on recreating iconic moments than crafting a compelling narrative, making audiences feel underwhelmed.

Why Reboots Work for Bollywood

The appeal of reboots lies in their built-in fan base. Filmmakers tap into the nostalgia of audiences who grew up with the original films, while also introducing these stories to a younger generation. Moreover, the iconic status of these films often guarantees a strong initial response at the box office.

Additionally, reboots provide an opportunity to update outdated tropes.

For instance, films like ‘Pati Patni Aur Who’ reimagined the original with a more modern take on relationships and gender dynamics. This reflects Bollywood’s gradual shift toward more progressive storytelling, even within a nostalgic framework.

The Road Ahead: Challenges and Opportunities

As Bollywood continues to revisit its past, the challenge lies in innovating while respecting the source material. Audiences today are more discerning than ever and simply relying on the charm of the original isn’t enough. Successful reboots require strong storytelling, nuanced performances, and a clear understanding of what made the original a classic in the first place.

Moreover, Bollywood could take inspiration from global cinema, where reboots often serve as creative reinterpretations rather than direct remakes. For example, Hollywood’s ‘A Star is Born’ (2018) was lauded for its fresh take on an old story, proving that reboots can be both nostalgic and groundbreaking.

It is the fourth American film adaptation of the story, following the original 1937 romantic drama and its remakes in 1954 and 1976.

Conclusion

Bollywood’s love affair with reboots is far from over. While the trend can sometimes feel like a shortcut to success, it also offers an opportunity to celebrate cinematic history in a new light. With the right balance of creativity and reverence, reboots can continue to bridge the gap between past and present, ensuring that the magic of classic films lives on for generations to come.

Image credits:

Nariman Films

Excel Entertainment

Mega Bollywood

Bhansali Productions

Bimal Roy Productions

Dharma Productions

Ajay Devgn FFilms

Shree Ashtavinayak Cine Vision Ltd.

NC Sippy

JP Dutta

Adlabs

Integrated Films

S. K. Jain & Sons

Viacom18 Motion Pictures

PLA Entertainment

T-Series Films

UTV Motion Pictures

Pooja Entertainment

Padmalaya Studios

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